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Ryan Embry

Fort Collins
Colorado
970 980 6496

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Ryan Embry

  • Works
  • Statment
  • Contact
  • Bio/ Resume

Somethings are Everything

My work explores the shifting relationships between form, memory, and perception. Through blocks of shape, color in flux, and softened contours, I seek to evoke rather than define. Edges blur. Boundaries dissolve. What remains is the sensation of something remembered—distant, hazy, almost known.

Color becomes a carrier of time.
Lines drift like thought.
What once seemed concrete begins to fade.

I often think in terms of -scapes: landscapes, dreamscapes, memoryscapes—fluid environments where near and far collapse, and time expands. These are not fixed places, but evolving fields where presence and absence coexist.

I am interested in the tensions between static and dynamic, object and atmosphere, ground and sky. How do we perceive space in relation to ourselves? How does perception shift as memory takes over?

Rather than offering resolution, my work invites lingering. It asks the viewer to rest within uncertainty—to experience the slow unraveling of clarity, and the quiet, expansive terrain that follows.

Somethings are Everything

My work explores the shifting relationships between form, memory, and perception. Through blocks of shape, color in flux, and softened contours, I seek to evoke rather than define. Edges blur. Boundaries dissolve. What remains is the sensation of something remembered—distant, hazy, almost known.

Color becomes a carrier of time.
Lines drift like thought.
What once seemed concrete begins to fade.

I often think in terms of -scapes: landscapes, dreamscapes, memoryscapes—fluid environments where near and far collapse, and time expands. These are not fixed places, but evolving fields where presence and absence coexist.

I am interested in the tensions between static and dynamic, object and atmosphere, ground and sky. How do we perceive space in relation to ourselves? How does perception shift as memory takes over?

Rather than offering resolution, my work invites lingering. It asks the viewer to rest within uncertainty—to experience the slow unraveling of clarity, and the quiet, expansive terrain that follows.

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