My work explores the shifting relationships between form, memory, and perception. Through blocks of shape, color in flux, and softened contours, I seek to evoke rather than define. Edges blur. Boundaries dissolve. What remains is the sensation of something remembered—distant, hazy, almost known.

Color becomes a carrier of time.
Lines drift like thought.
What once seemed concrete begins to fade.

I often think in terms of -scapes: landscapes, dreamscapes, memoryscapes—fluid environments where near and far collapse, and time expands. These are not fixed places, but evolving fields where presence and absence coexist.

I am interested in the tensions between static and dynamic, object and atmosphere, ground and sky. How do we perceive space in relation to ourselves? How does perception shift as memory takes over?

Rather than offering resolution, my work invites lingering. It asks the viewer to rest within uncertainty—to experience the slow unraveling of clarity, and the quiet, expansive terrain that follows.

show statement:

As the world slows to a halt, the past trickles thoughts through the long days like a meandering stream. Remembering time spent searching through the woods only to find the carcasses of what once stood.

Thoughts of existence,

ladened with the earth,

forgot in time,

amongst the lifeless ground.

Over the course of my life and through my explorations of natural environments, I have seen the need to conserve resources in the US. Through this work, I illustrate the recollections of places that humans have impacted. I think of my representations as symbolic gestures to lives that once lived.

before the fall

before the winter

before the summer

everything was beautiful…